Flight

Flight

The Photograph:

Camouflage, Danbury, CT

Introduction:

My Photo
Current: Danbury, CT, United States
Welcome! A few years ago, I discovered an application that artists employ in their works to bring cultural awareness to their audiences. Having discerned this semiotic theory that applies to literature, music, art, film, and the media, I have devoted the blog, "Theory of Iconic Realism" to explore this theory. The link to the publisher of my book is below. If you or your university would like a copy of this book for your library or if you would like to review it for a scholarly journal, please contact the Edwin Mellen Press at the link listed below. Looking forward to hearing from you!

To view my page on the Edwin Mellen Press website, please click below:

Thank you for visiting. I hope you will find the information insightful. ~ Jeanne Iris

xo

13 August, 2015

The Tiny Hand of Samuel Armas

Photo from Google Images


In 1999, Michael Clancy captured on film the little hand of Samuel Armas, held here by Vanderbilt University Hospital surgeon, Dr. Joseph Bruner. The iconic element here is the hand of the human fetus, for it represents life, innocence, complete vulnerability. This is an excellent example of iconic realism in photography, for one would never think that the connection between a 21 week old human in the womb and a surgeon could physically take place in this manner. One cultural dilemma that this photograph reveals is the debate between abortion and the infant's right to life. Moreover, this photograph brings to mind the limitations and possibilities of medical science as well as the beauty in the touch of a human hand... from the womb... before birth!

30 June, 2015

Walt Whitman and Iconic Realism


Adler Planetarium Astronomy Museum, Art Institute of Chicago
http://farm2.static.flickr.com/1053/5097973137_718735c9c6.jpg
When I Heard the Learn'd Astronomer
by Walt Whitman
When I heard the learn'd astronomer,

When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide,
and measure them,
When I sitting heard the astronomer where he lectured with
much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander'd off by myself,
In the mystical moist night-air, and from time to time,
Look'd up in perfect silence at the stars.

In Walt Whitman's poem, "When I Heard the Learn'd Astronomer, the speaker leaves an astronomy lecture to step outside the fixed parameters of the building. Subsequently, this individual learns first hand of the beauty when viewing the same firmament of which the lecturer speaks but viewed simply with the naked eye in silence. By leaving the lecture, the speaker, with scientific information gained from the the astronomer's lecture inside, now enjoys the silent beauty with appreciated knowledge, but more importantly, with appreciation of the significance of the stars’ natural condition. 

This poem illustrates iconic realism in that the subject,  constellations in a contrived setting, brings the audience and the speaker in the poem to a recognition that education of natural phenomena includes the experience of the real connection between humanity with nature. 

I warmly thank the Art Institute of Chicago for purchasing a copy of my book, The Theory of Iconic Realism: Understanding the Arts through Cultural Context.

13 April, 2015

Brandon Balengee, Bioartist, and Iconic Realism (Click onto this title to see and hear Brandon Balengee discuss his research/art.)


Here, Brandon Ballengee, artist and scientist, collaborates with communities around the world to bring awareness of environmental change. His source is the iconic feature of ancient civilizations, the pond. Ballengee's research follows the phenomena of mutation in the amphibian populations worldwide. Then, he uses his skill as an artist to create awareness of this biological variance, focusing his audience's attention on environmental transformation.

13 March, 2015

Iconic Realism and Photograph of a Baby Swaddled in the United States Flag

Yes, according to the official rules regarding our beloved United States flag, wrapping a baby in the flag is not on the list of appropriate uses.
 
However, these two photographs creatively illustrate my semiotic theory of iconic realism in that we see a baby, comfortably situated in the midst of a United States flag, held by a soldier in one photo and a responsible adult in the other. The photographers represent the infancy of hope, relying on adults to show strength and determination as facilitators of this human quality.
 
The future generations of U. S. citizens are dependent on the adults of this great nation to make decisions that will create an environment which enables these children to contribute their talents and skills to move humanity forward.
 

 
Photographs from Bing Images

28 October, 2014

William Butler Yeats' "The Tower II" and Iconic Realism

I took this photograph of Thoor Ballylee, June 2009

 
I pace upon the battlements and stare
On the foundations of a house, or where
Tree like a sooty finger, starts from the earth;
and send imagination forth
Under the day’s declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
(“The Tower II,” ll. 18-25) [1]

Here, Yeats places himself in the midst of the Tower, the earthen icon of the human soul. Born of the ancient source of all life, this soul’s power rests in the simplicity of a child’s voice, echoing for the “blind man’s joy.” This simplicity is so powerful that “certain men, be[come] maddened by those rhymes,” (l. 42) a magnificent union of the duality existent in imagination and reality. 

To further illustrate this duality, Yeats incorporates the iconic representation of “The Great Memory” to signify the reality of human consciousness. The speaker is out of control while at the same time, he is in control, “Come old, necessitous, half-mounted man;/And bring beauty’s blind rambling celebrant” (ll. 91-2). This ambivalence, accented with alliteration, leads to Yeats’s revelation that from chaos comes order and from dissonance, consonant harmony. He continues with his reference to human consciousness with an allusion to his recurrent swan’s song: “When the swan must fix his eye/ Upon a fading gleam, /Float out upon a long/Last reach of glistening stream/And there sing his last song” (ll. 141-45). 

The central theme of this poem is the realization of life’s paradox that art is both illusion and ideal. When Yeats reveals through the alliteration and rapid meter of “Man makes a superhuman/Mirror-resembling dream” (ll.165-66), he draws upon his references of the Easter Uprising and WWI in which reality of life recreates itself through the restructuring of chaos. 

Yeats’s iconic-bucolic imagery of singing birds in the introductory and concluding lines of “The Tower” reinforce his message of universal harmony that echoes throughout the sphere of life’s transformations. His final lines, “Seem but the clouds of the sky/When the horizon fades,/ Or a bird’s sleepy cry/ Among the deepening shades” (ll.193-96), indicate his reconciliation of life, art, Ireland and reality. It is not by accident that this poem leads directly to “Meditations in Time of Civil War.” 

In “The Tower,” Yeats illustrates the necessity for humanity to acknowledge the reality of life’s paradox and to nurture human consciousness with eyes wide open to human frailties as well as the glorious harmony of creative endeavor.


[1] Yeats, William Butler. The Collected Poems of W.B. Yeats. (Hertfordshire, G.B.: Wordsworth Editions, Ltd., 2000)

[2] Lakatos, Jeanne. The Theory of Iconic Realism: Understanding the Arts through Cultural Context. New York: The Edwin Mellen Press, 2008, pp. 54-55.